657 bars of 4/4 at 123 BPM, about 21:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-34, 37-42 and 45, and 20 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
36 fills to learn, played 78 times: bars 8, 35, 43, 51, 91, 131 and 72 more.
32 more fills are written out on the fills page.
657 bars across 53 sections: 355 keep time, 78 are fills, 107 are stops and 65 are silent. The longest unbroken stretch of time is bars 53-83.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
657 bars, about 21:11 at the written tempo. The course breaks it into 178 exercises over 47 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
36 fills to learn, played 78 times: bars 8, 35, 43, 51, 91, 131 and 72 more.