160 bars of 4/4 at 118 BPM, about 5:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33, 35 and 37, and 5 more places -- 5.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 33 times: bars 2, 6, 8, 10, 32, 43 and 27 more.
22 more fills are written out on the fills page.
160 bars across 22 sections: 90 keep time, 33 are fills, 13 are stops and 2 are silent. The longest unbroken stretch of time is bars 88-95.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 59 out of 100; the rest of the number is everything around it.
160 bars, about 5:14 at the written tempo. The course breaks it into 86 exercises over 29 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 33 times: bars 2, 6, 8, 10, 32, 43 and 27 more.