The beat the song is built on is one bar, played through bars 13-19, 21-27 and 49-55, and 4 more places -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on crash, snare and kick, counted in sixteenth notes. On its own it scores 45 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 59 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 95 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 95, 110 and 126 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash, snare and kick, in 4/4 at 126 BPM, counted in sixteenth notes. It is written out above, and it covers 34.1% of the bars the kit plays.
Bars 13-19, 21-27, 49-55 and 57-59, and 3 more places. The time is kept on the silence to start with, and it changes 14 times over the song.
45 out of 100 on its own -- a step up. The song as a whole is 59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.