164 bars of 4/4 at 140 BPM, about 4:40 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 45-51, 53-56 and 83-89, and 7 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18 fills to learn, played 46 times: bars 5, 6, 8, 13, 15, 17 and 40 more.
14 more fills are written out on the fills page.
164 bars across 19 sections: 92 keep time, 46 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 71-80.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
164 bars, about 4:40 at the written tempo. The course breaks it into 60 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 46 times: bars 5, 6, 8, 13, 15, 17 and 40 more.