53 bars of 4/4 at 138 BPM, about 1:32 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 24-25 and 37-38 -- 7.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 29 times: bars 1, 2, 3, 4, 5, 6 and 23 more.
53 bars across 4 sections: 18 keep time, 29 are fills and 1 is a stop. The longest unbroken stretch of time is bars 23-26.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
98 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
53 bars, about 1:32 at the written tempo. The course breaks it into 14 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 29 times: bars 1, 2, 3, 4, 5, 6 and 23 more.