81 bars of 4/4 at 120 BPM, about 2:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-13 and 32-39 -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 24, 28, 31, 51, 60, 61 and 8 more.
2 more fills are written out on the fills page.
81 bars across 10 sections: 49 keep time, 16 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 32-42.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
81 bars, about 2:42 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 24, 28, 31, 51, 60, 61 and 8 more.