268 bars of 4/4 at 120 BPM, about 8:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 71, 111 and 142-144, and 30 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 49 times: bars 16, 24, 32, 40, 48, 69 and 43 more.
12 more fills are written out on the fills page.
268 bars across 21 sections: 140 keep time, 49 are fills, 39 are stops and 20 are silent. The longest unbroken stretch of time is bars 96-104.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
268 bars, about 8:30 at the written tempo. The course breaks it into 80 exercises over 20 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 49 times: bars 16, 24, 32, 40, 48, 69 and 43 more.