186 bars of 3/4 -- not four -- at 143 BPM, 4:16 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 22-23, 25-27 and 31-32, and 16 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 56, 74, 91, 117, 123, 131 and 2 more.
186 bars across 20 sections: 76 keep time, 8 are fills, 69 are stops and 9 are silent. The longest unbroken stretch of time is bars 32-40.
143 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
186 bars, about 4:16 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 56, 74, 91, 117, 123, 131 and 2 more.