67 bars of 4/4 at 128 BPM, about 2:06 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 34-36 and 38-40, and 1 more place -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 5, 6, 7, 25, 29, 33 and 1 more.
1 more fill is written out on the fills page.
67 bars across 9 sections: 29 keep time, 7 are fills, 24 are stops and 3 are silent. The longest unbroken stretch of time is bars 19-24.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 18 out of 100; the rest of the number is everything around it.
67 bars, about 2:06 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 5, 6, 7, 25, 29, 33 and 1 more.