155 bars of 4/4 at 126 BPM, about 4:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-18, 21-22 and 25-26, and 5 more places -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 21 times: bars 32, 34, 36, 38, 40, 47 and 15 more.
11 more fills are written out on the fills page.
155 bars across 12 sections: 87 keep time, 21 are fills, 28 are stops and 7 are silent. The longest unbroken stretch of time is bars 16-31.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
155 bars, about 4:55 at the written tempo. The course breaks it into 52 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 21 times: bars 32, 34, 36, 38, 40, 47 and 15 more.