332 bars of 3/4 -- not four -- at 120 BPM, 8:57 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 138-144, 146-156 and 158-160, and 13 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 46 times: bars 5, 13, 53, 57, 65, 73 and 40 more.
19 more fills are written out on the fills page.
332 bars across 18 sections: 206 keep time, 47 are fills, 25 are stops and 39 are silent. The longest unbroken stretch of time is bars 211-226.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 10 out of 100; the rest of the number is everything around it.
332 bars, about 8:57 at the written tempo. The course breaks it into 78 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 46 times: bars 5, 13, 53, 57, 65, 73 and 40 more.