129 bars of 4/4 at 126 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-24, 38-40 and 42-44, and 2 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 61, 62, 63, 64, 65, 101 and 1 more.
129 bars across 14 sections: 98 keep time, 7 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 2-24.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
129 bars, about 4:06 at the written tempo. The course breaks it into 44 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 61, 62, 63, 64, 65, 101 and 1 more.