139 bars of 4/4 at 122 BPM, about 4:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 18-24 and 30-32, and 6 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 16 times: bars 27, 43, 48, 49, 83, 90 and 10 more.
6 more fills are written out on the fills page.
139 bars across 12 sections: 109 keep time, 16 are fills and 1 is silent. The longest unbroken stretch of time is bars 65-80.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
139 bars, about 4:33 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 27, 43, 48, 49, 83, 90 and 10 more.