The beat the song is built on is one bar, played through bars 64-67, 70-73 and 76-79, and 3 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash and kick, counted in sixteenth notes. On its own it scores 30 out of 100 -- a fair first song -- and the thing that decides that is how many notes a second it asks for.
The whole song is 43 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 180 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 180, 210 and 240 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash and kick, in 4/4 at 240 BPM, counted in sixteenth notes. It is written out above, and it covers 20.5% of the bars the kit plays.
Bars 64-67, 70-73, 76-79 and 82-85, and 2 more places. The time is kept on the toms to start with, and it changes 6 times over the song.
30 out of 100 on its own -- a fair first song. The song as a whole is 43 out of 100 -- a fair first song -- with how many notes a second it asks for the part that decides it.