37 bars of 4/4 at 135 BPM, about 0:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 20-28 -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
41 bars across 5 sections: 36 keep time and 1 is silent. The longest unbroken stretch of time is bars 19-31.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 55 out of 100; the rest of the number is everything around it.
37 bars, about 0:59 at the written tempo. The course breaks it into 17 exercises over 8 sittings, about 21 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.