141 bars of 4/4 at 126 BPM, about 4:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-44, toms through bars 45-48, hi-hat through bars 49-65, ride through bars 66-72, hi-hat through bars 73-96 and ride through bars 97-108, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 5-12 and 29-36 -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 8
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x---x---x---xxo-|x---x---x---x---|
SD |----x-------x---|----x-------x---|
BD |x-x-----x-x-----|x-x---x---x---x-|7 fills to learn, played 11 times: bars 45, 46, 51, 55, 65, 68 and 5 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
141 bars, about 4:30 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 45, 46, 51, 55, 65, 68 and 5 more.