141 bars of 4/4 at 126 BPM, about 4:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-12 and 29-36 -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 45, 46, 51, 55, 65, 68 and 5 more.
3 more fills are written out on the fills page.
145 bars across 15 sections: 106 keep time, 11 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 75-85.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
141 bars, about 4:30 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 45, 46, 51, 55, 65, 68 and 5 more.