169 bars of 4/4 at 145 BPM, about 4:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 116-148 and 150-151 -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 29 times: bars 2, 4, 6, 8, 18, 20 and 23 more.
12 more fills are written out on the fills page.
169 bars across 16 sections: 120 keep time, 29 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 116-148.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
169 bars, about 4:41 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 2, 4, 6, 8, 18, 20 and 23 more.