94 bars of 4/4 at 128 BPM, about 2:56 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 21-24 and 27-29, and 2 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 12 times: bars 4, 20, 30, 39, 41, 51 and 6 more.
1 more fill is written out on the fills page.
94 bars across 6 sections: 28 keep time, 12 are fills, 40 are stops and 11 are silent. The longest unbroken stretch of time is bars 8-12.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
94 bars, about 2:56 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 4, 20, 30, 39, 41, 51 and 6 more.