132 bars of 4/4 at 120 BPM, about 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 63, 67 and 71, and 10 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 3, 7, 80, 81, 83, 84 and 1 more.
1 more fill is written out on the fills page.
132 bars across 15 sections: 80 keep time, 7 are fills, 32 are stops and 3 are silent. The longest unbroken stretch of time is bars 27-34.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
132 bars, about 4:24 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 3, 7, 80, 81, 83, 84 and 1 more.