269 bars of 3/4 -- not four -- at 120 BPM, 7:37 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 84-90, 92-94 and 96-98, and 10 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 37 times: bars 8, 12, 20, 24, 28, 32 and 31 more.
14 more fills are written out on the fills page.
269 bars across 27 sections: 167 keep time, 38 are fills, 33 are stops and 8 are silent. The longest unbroken stretch of time is bars 245-259.
120 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
269 bars, about 7:37 at the written tempo. The course breaks it into 87 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 37 times: bars 8, 12, 20, 24, 28, 32 and 31 more.