183 bars of 4/4 at 132 BPM, about 5:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 46-49, 78-80 and 102-115, and 1 more place -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 28 times: bars 61, 76, 77, 82, 84, 93 and 22 more.
11 more fills are written out on the fills page.
183 bars across 23 sections: 90 keep time, 28 are fills, 30 are stops and 18 are silent. The longest unbroken stretch of time is bars 2-13.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
183 bars, about 5:32 at the written tempo. The course breaks it into 58 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 28 times: bars 61, 76, 77, 82, 84, 93 and 22 more.