127 bars, 8:46, at 58 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-7, hi-hat through bars 8-13, ride through bars 14-31, hi-hat through bars 32-33, ride through bars 34-49 and hi-hat through bars 50-51, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 14-17, 22-28 and 36-40, and 9 more places -- 35.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
14
1...........2...........3...........4...........
RD |x-----x-----x-----x-----x-----x-----x-----x-----|
SD |------------r-----------------------r-----------|
BD |x-----------------------x-----------------------|4 fills to learn, played 10 times: bars 29, 63, 75, 76, 77, 87 and 4 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
58 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
127 bars, about 8:46 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 29, 63, 75, 76, 77, 87 and 4 more.