127 bars, 8:46, at 58 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 14-17, 22-28 and 36-40, and 9 more places -- 35.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
4 fills to learn, played 10 times: bars 29, 63, 75, 76, 77, 87 and 4 more.
127 bars across 10 sections: 94 keep time, 10 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 104-123.
58 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
127 bars, about 8:46 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 29, 63, 75, 76, 77, 87 and 4 more.