101 bars of 4/4 at a walking 80 BPM, 5:03 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-26, 29-30 and 49-50, and 7 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 17 times: bars 4, 20, 32, 44, 56, 68 and 11 more.
2 more fills are written out on the fills page.
101 bars across 7 sections: 54 keep time, 17 are fills and 20 are stops. The longest unbroken stretch of time is bars 24-31.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
101 bars, about 5:03 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 4, 20, 32, 44, 56, 68 and 11 more.