128 bars of 6/4 -- not four -- at 125 BPM, 6:09 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-24, 61-63 and 73-75, and 1 more place -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 8 times: bars 3, 4, 5, 52, 53, 54 and 2 more.
128 bars across 9 sections: 67 keep time, 8 are fills and 44 are silent. The longest unbroken stretch of time is bars 8-24.
125 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
128 bars, about 6:09 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 3, 4, 5, 52, 53, 54 and 2 more.