61 bars of 4/4 at a walking 79 BPM, 3:05 of playing, on ride, hi-hat, snare, kick and hi-hat foot.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-17, snare through bars 18-29, hi-hat through bars 30-38, silence through bars 39-41 and hi-hat through bars 42-45, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 30-32, 34-36 and 54-56, and 1 more place -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1e+a2e+a3e+a4e+a
HH |--x---x---x---x-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|1 fill to learn, played 1 time: bar 61.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
79 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 37 out of 100; the rest of the number is everything around it.
61 bars, about 3:05 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 23 minutes each.
ride, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 61.