86 bars of 4/4 at 128 BPM, about 2:31 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-12, 33-40 and 70-77 -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 4 times: bars 4, 20, 48 and 85.
86 bars across 8 sections: 64 keep time, 4 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 21-31.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
86 bars, about 2:31 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 27 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 4, 20, 48 and 85.