130 bars of 4/4 at 140 BPM, about 3:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 34-36, 38-40 and 42-44, and 5 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 11 times: bars 1, 29, 30, 31, 32, 33 and 5 more.
130 bars across 18 sections: 85 keep time, 11 are fills and 7 are stops. The longest unbroken stretch of time is bars 99-122.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 71 out of 100; the rest of the number is everything around it.
130 bars, about 3:15 at the written tempo. The course breaks it into 39 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 1, 29, 30, 31, 32, 33 and 5 more.