156 bars of 4/4 at 120 BPM, about 5:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 122, 124 and 128, and 1 more place -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 46 times: bars 17, 25, 29, 30, 34, 38 and 40 more.
10 more fills are written out on the fills page.
156 bars across 17 sections: 42 keep time, 46 are fills, 22 are stops and 34 are silent. The longest unbroken stretch of time is bars 147-155.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
156 bars, about 5:12 at the written tempo. The course breaks it into 51 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 46 times: bars 17, 25, 29, 30, 34, 38 and 40 more.