45 bars of 4/4 at 140 BPM, about 1:16 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 8, 10 and 12, and 8 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 9 times: bars 5, 17, 18, 19, 20, 21 and 3 more.
45 bars across 3 sections: 32 keep time, 9 are fills and 1 is a stop. The longest unbroken stretch of time is bars 32-44.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
45 bars, about 1:16 at the written tempo. The course breaks it into 16 exercises over 8 sittings, about 21 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 9 times: bars 5, 17, 18, 19, 20, 21 and 3 more.