78 bars, 4:10, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare and kick and nothing else.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 3-21, snare through bars 22-36, hi-hat through bars 37-38, silence through bars 39-42, hi-hat through bars 43-46 and snare through bars 47-70, and 1 more change after that.
The beat the song is built on is one bar, played through bars 22-36 and 47-70 -- 54.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
22
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-x-----|1 fill to learn, played 2 times: bars 20 and 46.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
78 bars, about 4:10 at the written tempo. The course breaks it into 13 exercises over 3 sittings, about 28 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 2 times: bars 20 and 46.