125 bars of 4/4 at 135 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-8, 10-12 and 14-15, and 4 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 15 times: bars 9, 13, 16, 17, 35, 43 and 9 more.
6 more fills are written out on the fills page.
125 bars across 11 sections: 93 keep time, 17 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 21-34.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
125 bars, about 3:42 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 9, 13, 16, 17, 35, 43 and 9 more.