139 bars of 4/4 at 120 BPM, about 4:37 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 30-32, and 3 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 29 times: bars 16, 17, 20, 21, 25, 46 and 23 more.
9 more fills are written out on the fills page.
139 bars across 18 sections: 84 keep time, 29 are fills, 2 are stops and 12 are silent. The longest unbroken stretch of time is bars 26-41.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
139 bars, about 4:37 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 29 times: bars 16, 17, 20, 21, 25, 46 and 23 more.