127 bars of 4/4 at 140 BPM, about 3:30 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-6, snare through bars 7-8, hi-hat through bars 9-12, snare through bars 13-15, toms through bars 16-19 and hi-hat through bars 20-26, and 9 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 9-15 and 20-26 -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 10
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |X---------------|----------------|
HH |--o-o-o-o-o-o-o-|o-o-o-o-o-o-o-o-|
SD |----x--x--x--x--|x--x--x--x--x--x|
BD |x-xx-xx-xx-xx-xx|-xx-xx-xx-xx-xxx|8 fills to learn, played 47 times: bars 4, 7, 8, 16, 17, 18 and 41 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
127 bars, about 3:30 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 47 times: bars 4, 7, 8, 16, 17, 18 and 41 more.