127 bars of 4/4 at 140 BPM, about 3:30 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-15 and 20-26 -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 47 times: bars 4, 7, 8, 16, 17, 18 and 41 more.
4 more fills are written out on the fills page.
127 bars across 12 sections: 65 keep time, 47 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 20-26.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
127 bars, about 3:30 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 47 times: bars 4, 7, 8, 16, 17, 18 and 41 more.