129 bars of 4/4 at 128 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, snare through bars 6-10, hi-hat through bars 11-13, snare through bars 14-22, hi-hat through bars 23-28 and snare through bars 29-30, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 31-35, 48-53 and 73-75, and 5 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
48
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |xxxxxxxxxxxxxxxx|18 fills to learn, played 40 times: bars 9, 11, 13, 17, 19, 21 and 34 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
129 bars, about 3:57 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 40 times: bars 9, 11, 13, 17, 19, 21 and 34 more.