129 bars of 4/4 at 128 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-35, 48-53 and 73-75, and 5 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18 fills to learn, played 40 times: bars 9, 11, 13, 17, 19, 21 and 34 more.
14 more fills are written out on the fills page.
129 bars across 13 sections: 56 keep time, 40 are fills, 14 are stops and 8 are silent. The longest unbroken stretch of time is bars 48-53.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
129 bars, about 3:57 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 40 times: bars 9, 11, 13, 17, 19, 21 and 34 more.