101 bars of 4/4 at 124 BPM, about 3:15 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 19-25 and 43-53 -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
101 bars across 13 sections: 76 keep time and 4 are silent. The longest unbroken stretch of time is bars 42-53.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
101 bars, about 3:15 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.