107 bars of 4/4 at 116 BPM, about 3:41 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17 and 20, and 8 more places -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 5 times: bars 68, 104, 105, 106 and 107.
107 bars across 19 sections: 66 keep time, 5 are fills and 3 are silent. The longest unbroken stretch of time is bars 4-15.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
107 bars, about 3:41 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 68, 104, 105, 106 and 107.