120 bars of 4/4 at 128 BPM, about 3:45 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-21, 26-33 and 42-53, and 2 more places -- 45.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2 fills to learn, played 5 times: bars 73, 96, 97, 105 and 113.
120 bars across 14 sections: 93 keep time, 5 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 6-21.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
120 bars, about 3:45 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 73, 96, 97, 105 and 113.