174 bars of 4/4 at 110 BPM, about 6:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 55-60, 102-116 and 118-123, and 8 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 13 times: bars 20, 24, 32, 36, 40, 54 and 7 more.
5 more fills are written out on the fills page.
174 bars across 9 sections: 151 keep time and 13 are fills. The longest unbroken stretch of time is bars 140-174.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
174 bars, about 6:20 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 20, 24, 32, 36, 40, 54 and 7 more.