312 bars of 4/4 at 145 BPM, about 8:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 103-108, 111-116 and 127-133, and 6 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 65 times: bars 1, 2, 3, 4, 10, 12 and 59 more.
26 more fills are written out on the fills page.
312 bars across 25 sections: 187 keep time, 65 are fills, 29 are stops and 3 are silent. The longest unbroken stretch of time is bars 143-157.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
312 bars, about 8:36 at the written tempo. The course breaks it into 104 exercises over 26 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 65 times: bars 1, 2, 3, 4, 10, 12 and 59 more.