258 bars of 4/4 at 140 BPM, about 7:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 30 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 44 times: bars 8, 22, 23, 24, 25, 29 and 38 more.
15 more fills are written out on the fills page.
258 bars across 19 sections: 162 keep time, 44 are fills, 19 are stops and 6 are silent. The longest unbroken stretch of time is bars 221-234.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
258 bars, about 7:23 at the written tempo. The course breaks it into 63 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 44 times: bars 8, 22, 23, 24, 25, 29 and 38 more.