142 bars of 4/4 at a walking 80 BPM, 7:06 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 29 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 27, 49, 75, 77, 79, 81 and 4 more.
1 more fill is written out on the fills page.
142 bars across 16 sections: 86 keep time, 10 are fills, 12 are stops and 23 are silent. The longest unbroken stretch of time is bars 130-142.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 38 out of 100; the rest of the number is everything around it.
142 bars, about 7:06 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 27, 49, 75, 77, 79, 81 and 4 more.