The beat the song is built on is a 2-bar phrase, played through bars 2-8, 22-27 and 30-32, and 7 more places -- 30.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on crash, ride, snare and kick, counted in sixteenth notes. On its own it scores 52 out of 100 -- a step up -- and the thing that decides that is the independence between the hands and the feet.
The whole song is 65 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 65 BPM -- and adds the notes back over 4 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 65, 77, 88 and 100 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, ride, snare and kick, in 4/4 at 100 BPM, counted in sixteenth notes. It is written out above, and it covers 30.1% of the bars the kit plays.
Bars 2-8, 22-27, 30-32 and 46-51, and 6 more places. The time is kept on the toms to start with, and it changes 12 times over the song.
52 out of 100 on its own -- a step up. The song as a whole is 65 out of 100: demanding, mostly on the independence between the hands and the feet.