126 bars of 3/4 -- not four -- at 137 BPM, 2:46 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 14 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 5, 6, 26, 44, 46, 61 and 7 more.
5 more fills are written out on the fills page.
126 bars across 10 sections: 64 keep time, 13 are fills, 36 are stops and 5 are silent. The longest unbroken stretch of time is bars 9-22.
137 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
126 bars, about 2:46 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 5, 6, 26, 44, 46, 61 and 7 more.