103 bars of 4/4 at a walking 76 BPM, 5:25 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11-15 and 17-19, and 1 more place -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 16 times: bars 8, 20, 24, 28, 49, 53 and 10 more.
11 more fills are written out on the fills page.
103 bars across 11 sections: 66 keep time, 16 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 9-19.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
103 bars, about 5:25 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 16 times: bars 8, 20, 24, 28, 49, 53 and 10 more.