130 bars of 4/4 at 118 BPM, about 4:24 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-40 and 116-123 -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 11 times: bars 41, 49, 57, 65, 74, 78 and 5 more.
2 more fills are written out on the fills page.
130 bars across 10 sections: 106 keep time, 11 are fills and 4 are silent. The longest unbroken stretch of time is bars 5-40.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
130 bars, about 4:24 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 41, 49, 57, 65, 74, 78 and 5 more.