110 bars of 4/4 at 120 BPM, about 3:40 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 38-40, and 5 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 5, 9, 15, 17, 29, 41 and 8 more.
2 more fills are written out on the fills page.
110 bars across 13 sections: 58 keep time, 14 are fills, 25 are stops and 2 are silent. The longest unbroken stretch of time is bars 31-37.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
110 bars, about 3:40 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 5, 9, 15, 17, 29, 41 and 8 more.